SST TEST 5 [ANSWERS]
SST
TEST 5 [ANSWERS]
FULL MARKS : 40
1. What was the nature of conservative regimes set up in
1815?
Ans. They were autocratic. They did not tolerate criticism
and dissent and sought to curb activities that questioned the legitimacy of
autocratic governments.
2. Who celebrated the Polish national struggle through
his operas and music?
Ans. Karol Kurpinski.
3. When was the Frankfurt Parliament held?
Ans. On 18 May 1848 at Frankfurt (Germany) in the church of
St. Paul.
4. What is a Utopian Society?
Ans. A society that is so ideal that it is unlikely to
actually exist.
5. Which class comprised the majority of the population
in early 19th century Europe?
Ans. Peasantry formed the majority of the population while
the aristocracy was numerically a small group.
6. Who participated in the Congress of Vienna?
Ans. Representatives of Britain, Russia, Prussia and Austria
met in the Congress of Vienna.
7. Out of the seven states of Italy, which one was ruled
by an Italian princely house?
Ans. Sardinia-Piedmont.
8. Who was Guiseppe Garibaldi?
Ans. He was a key figure of the Italian unification, who led
the armed volunteers in South Italy.
9. What is an allegory?
Ans. It is a female personification of a nation.
10. What was the major change that occurred in the
political and constitutional scenario due to the French Revolution in Europe?
Ans. Transfer of sovereignty from monarchy to common
citizens of the country.
11. What did liberal nationalism stand for?
Ans. For the new middle classes, liberalism stood for
freedom for the individual and equality of all before the law.
Politically it meant the concept of government by consent.
Since the French Revolution, liberalism had stood for the
end of autocracy and clerical privileges, a constitution and a representative
government through parliament.
It also stressed the inviolability of private property.
12. In which year was the unification of Italy completed?
Mention two features of the unification movement.
Ans. Unification of Italy was completed in 1870.
Despite formidable hurdles which beset the path of
unification of Italy, the feeling of liberty, equality and patriotism could not
remain suppressed among Italians for a long time.
Some patriots, supporters of democracy, writers,
philosophers and many secret institutions resolved to launch a combined
struggle to achieve liberty and liberalism for Italy.
13. How did the artists use female allegory during the
French Revolution?
Ans. Artists used the female allegory to portray ideas such
as liberty, justice and the republic.
These ideals were represented through specific objects or
symbols.
The attributes of liberty are the red cap, broken chains,
while justice is generally represented through a blindfolded woman carrying a
pair of weighing scales.
14. Describe ‘Germania’.
Ans. Germania became the allegory of the German nation.
In visual representation, Germania wears a crown of oak
leaves, as the German oak stands for heroism.
The sword in her hand symbolises the readiness to fight.
Her broken chains inspire freedom.
The crown of oak leaves depicts heroism.
The olive branch around the sword signifies a willingness to
make peace.
15. What were the effects of Zollverein?
Ans. In 1834, a customs union or Zollverein was formed at
the initiative of Prussia and was joined by most of the German states.
The union abolished tariff barriers and reduced the number
of currencies from over thirty to two.
The creation of a network of railways increased mobility,
harnessing economic interests to national unification.
16. Describe any five steps taken by French
Revolutionaries to create a sense of collective identity among the French
people.
Ans. (i) The ideas of la Patrie (the
fatherland) and le citoyen (the citizen) emphasised the notion
of a united community enjoying equal rights under a constitution.
(ii) A new French flag, the tricolour, was chosen to replace
the formal royal standard.
(iii) The Estates-General was elected by the body of active
citizens and renamed the National Assembly.
(iv) New hymns were composed, oaths taken and martyrs
commemorated, all in the name of the nation.
(v) A centralised administrative system was put in place and
it formulated uniform laws for all citizens within its territory.
(vi) Internal customs duties and dues were abolished and a
uniform system of weights and measures was adopted. (any five).
17. Mention any two economic obstacles that the liberal
nationalists wanted to overcome. In what way did the Zollverein customs union
of 1834 try to overcome these shortcomings?
Ans. During the early nineteenth century, Europe was closely
allied to the ideology of liberalism. In reference to the economy, liberalism
denotes freedom of the market, fewer restrictions by the state on the movement
of goods and capitals. To get rid of these economic problems was the main
demand of the newly emerged middle class.
Existence of countless small principalities, different
currencies, number of customs barriers created obstacles to economic exchange
and growth for the new commercial classes. To sort out that problem Prussia
including most of the German states formed a customs union or Zollverein in
1834.
The Zollverein abolished tariff barriers, reduced number of
currencies from 30 to 2, created a network of railways for fast and heavy
mobility.
18. How has French artist, Frederic Sorrieu, visualised
in his first print, of the series of four prints, his dream of a world made up
of ‘democratic and social republics’? Explain.
OR
Describe Frederic Sorrieu’s utopian vision of the world
as depicted in his painting in 1848.
Ans. The French artist, Frederic Sorrieu prepared a series
of four prints visualising his dream of the world made up of ‘democratic and
social republics’.
His First Print showed people of Europe and
America – men and women of all ages and social classes – marching in a long
train, and offering homage to the Statue of Liberty as they pass by it. Liberty
is of course personified as a woman, bearing the torch of Enlightenment in one
hand and the charter of the Rights of Man in the other. On the earth, in the
foreground of the image, lay the shattered remains of the symbols of Absolute institutions.
Leading the procession, way past the Statue of Liberty, are the United States
and Switzerland which were at that time already nation-states. In the print of
Sorrieu; people of the world are grouped together as distinct nations,
identified through their flags and national costume. France, distinguished by
its tricolour flag, has just reached the statue, and she is followed by Germany
with their black and gold flag. (Germany was not yet united, but in 1848, when
this painting was made, it expressed the hopes of the nation.) Peoples of
Austria, kingdoms of two Sicilies, Lombardy, Poland, England, Ireland, Hungary
and Russia follow in that order. From the heavens, Christ, saints and angels
gaze upon the scene. They have been used to symbolise the fraternity among the
nations of the world.
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